Thank you to members who attended yesterday's workshop on DIY publicity! Shout out to Amy Day for hosting us at her house. It was great to see some first-timers in the mix and also to welcome several types of creators. This month, we talked about DIY Publicity. Lindsay White shared some tips and tricks for securing media placements when you don't have a budget to hire a publicist. Afterward, we opened the discussion up to the group about best practices for promotion. It was helpful to hear so many different ideas and perspectives. Lots of great info!

This edition of Boss Ladies is brought to you by member Carissa Schroeder, who reviews “Amulet," the latest single from Lizabeth Yandel.

If Lizabeth Yandel ever decides to throw in the proverbial music towel, it’s safe to say she has a solid future letting her subconscious mind design interiors for the trendy, San Diego restaurant group, Consortium Holdings (Born & Raised, False Idol, Craft & Commerce). Her latest single, “Amulet,” was born from a dream in which she sat, having a drink alone, “in a narrow little tavern lit by small star-shaped lights. It was decorated with vining plants and pieces of stained glass strung from the ceiling, which was almost completely comprised of windows.” The moon was out. She sat in her booth and sang the first verse of “Amulet” – a song that was fully completed and already in existence in dreamland – when an oddly specific 2000’s version of Erykah Badu appeared with her squad and started singing along in lush harmony.

You’ve gotta love dreams.

What I wouldn’t give to step inside this woman’s head for a day! It seems so magical. Truthfully, she did an incredible job of capturing that sense of whimsy and magic in the song. Her ability to bring her inner world out through music is uncanny. I could place my own two feet in that tavern if music could physically transport my body.​

By experiencing the audio playground that is “Amulet,” it’s clear that Yandel embodies the reason that people need to start paying better attention to the local music that is happening right beneath their noses. This song has everything it needs to become a favorite in your rotation – it’s (literally) dreamy, well-written and recorded, and it has a lyrical, soul-forward, message that we so desperately need right now.

Yandel, who has admittedly battled with depression, feelings of hopelessness, and even mild suicidal thoughts, calls this song, “a heart-aching celebration of music for all the ways and times it has saved my life.” Her lyric, “Be alive,” swirls around repeatedly at the end of the song, like a mantra, reminding us that it’s a “constant choice to stay alive” and fight life’s battles.

I believe that this is truly what we need to hear, right now, as a collective. When so many of us these days report suffering from anxiety, depression and isolation, it’s no wonder we are maligned with what seems like endless news of suicide, mass shootings, and unspeakable violence.

If American society is teetering on a narrow ledge – dangerously see-sawing between a destructive past built on problems swept under the rug, and an unforeseen future where we publicly acknowledge our wounds and heal them – Yandel fits neatly into the pocket of the phrase, “Think globally, act locally.”

How many lives could be changed, or even saved, with music like this? How many people need to hear the words, “it’s your one true light, let it guide you through, you don’t have to hide…” or, “at the center of all our darkest secrets is one same song, beating right in time…”?

Yandel has a new fan in me, and the next time I’m feeling disconnected from others, or untethered to my purpose, I will revisit this dream. I will let this multi-dimensional, creatrix of a womxn remind me that “we are lyrics written from the stars,” and that “we can be free inside our minds.” I will find solace here in her divination, and a peaceful knowing that I am not alone in this fight to stay alive.

Stay connected: http://lizabethyandel.com

Additional Credits:
Drums & Intrument Tracking - Jules Stewart 
Bass - Melanie Medina
Backing Vocals - Siena Beacham, Jillian Wilding, and Shala Harmony (from SD Resistance Revival Chorus)
Mix/mastered by Victor Franca, Track Town Records in Eugene, OR
Single art - Johnny Hoolko

Wednesday, September 4 - Julia Sage and The Bad Hombres at The Holding Company
Local band showcase.  Come on out and party with us!  Julia Sage and The Bad Hombres starting at 9 pm sharp. More info

Thursday, September 12 - Golden Howl at Til Two with The Strawberry Moons and The Powerballs
More info

​Friday, September 13 - Chris Avetta & Golden Howl at Moose Lodge in Oceanside

Saturday, September 14 - Kinship Cafe Singer-Songwriter Showcase at Eve Encinitas
This showcase at Eve Encinitas will feature short sets from six acts, each of which includes at least one woman, and four of which feature Lady Brain members: The Banduvloons, Dixie Maxwell and Lee Coulter, Mayzie Jean, and The Spiritual Motels (plus The Shift and Dulaney and Company).  7-10:30pm, $10, all ages.  More info

Saturday, September 21 - Calamity at Artwalk Carlsbad
Don't miss the gals from Calamity playing originals during Artwalk Carlsbad from 3:15 to 4pm. No cover, all ages. More info

Sunday, September 22 - Tori Roze and the Hot Mess at Coronado Music Festival
This inaugural three day music festival kicks off on Friday September 20, with Tori Roze and the Hote Mess headlining on Sunday, September 22. The family-friendly weekend features local and regional musical talent of all genres and visual art. This marks the first event for Coronado Music and Arts Foundation(CMAF), a nonprofit, whose mission is to provide cultural music and art experiences for at risk and homeless individuals including youth and special needs adults through a variety of settings in Coronado and San Diego. More info

Thursday, September 26 - Lady Brain Presents Community Gathering In Celebration of Life
Lady Brain Presents is back with a special art/music/spoken word showcase centering around the topics of death, dying, and existence. Join us at a private Ocean Beach residence around 6:30pm for sunset, social hour, and art viewing. Performances will kick off around 7:30pm. $10 Suggested Donation, proceeds will benefit the Leukemia & Lymphoma Society. More info

Thanks to all who attended our August meet-up! Shout out to Jessica Lerner for hosting us and setting up a lovely mimosa station! This month's special guest was Kelsea Rae Little, Media Director at GoFundMe and host of True Stories of Good People podcast. Kelsea fielded our questions about crowdfunding and shared her story of how she got involved with GoFundMe, as well as severals stories of some of the everyday heroes who have used the platform to do good work in the world. There was not a dry eye in the room! 

This edition of Boss Ladies is brought to you by member Tori Roze, who reviews Gaby Aparicio's new album, La Bella Vita.

A love letter to her mother, La Bella Vita rounds out seventeen plus years-worth of Gaby Aparicio creating alluring audio - seamlessly blending Latin-based music, pop, and that of the traditional singer-songwriter. A musical rarity of deep substance and beauty, Aparicio delivers her unique musical Uruguayan, Italian, North American flavor in three languages with the perfect amount of passion, precision, and intention. As the writer of every song on an album that generously rotates through a considerable amount of San Diego all-star talent; Aparicio definitively conveys her wishes to grow, to love, to help others, to dream, to experience life, to succeed, to fail, to show you her heart, and to embrace all of herself throughout the process.   

The album opens with the enigmatically seductive song “Captivate Me.” Spanish guitar (played by Aparicio and Israel Maldonado) gently invites you into the cozy arms of Aparicio’s unbelievably clear voice. Her vocal quality bears a whispery closeness - the cinematic picture in one’s mind of an all-consuming love affair becomes imaginatively vivid once she begins singing. A range of majestic animals hits you between the eyes as her lyrics paint gorgeous metaphors over a tapestry of meticulously layered music. While this song is written in English, it hints at what is promised to you as a listener entering the world of La Bella Vita – a fastidious melting pot of sound with a clear message: to authentically “be you.” 

The second track, “Se Va,” kicks-off with a rootsy nylon-stringed guitar, bringing forth Aparicio’s singer-songwriter musical foundation. With the music and vocals in tandem, there is a driving undertone of yearning to its sonic affect. The first song of many where we get to experience lyrics in another language; one gains an even better sense of the primo vocal clarity Aparicio touts regardless of the language she is singing in. The rhythm section (Gaby Aparicio, Gregg Montante, Saul Timba, James East, and Jake Najor) is tight. Aparicio tastefully conquers Spanish-style nylon-stringed guitar techniques while singing all of the female vocal parts. Many will venture, but few will succeed – and Aparicio elicits vibes reminiscent of Lila Down’s notable genre-bending multi-lingual music. 

“Tango Triste” sounds and feels like a song directly out of a Cirque du Soleil show. There is an inescapable sensibility of heavy emotion affecting you from the first note. Leading with a thematic picky surf-rock electric guitar echoed by a writhing violin (played by Jamie Shadowlight), the emotional tug-and-pull of dissonant music unavoidably grabs you. The layered percussion, played by Julien Cantelm, is so well-executed that you can hear each and every tonal and textural detail. The bass (played by the producer of this particular song, Jacob “Cubby” Miranda) picks up at the chorus and pushes the action of the song forward. Speaking from a filmic perspective – “Tango Triste” might find itself strategically placed in a suspense movie just as easily as it could fit into a scene between fiery lovers. Violin enhances the intense sultry vibrancy that the song effortlessly embodies. There is an immovable strength to the Spanish-sung lead and backing vocals as they reinforce the melodious back-and-forth sewn into the fabric of the music. This song makes you involuntarily feel the lustful torture of longing for a once familiar love with its impassioned chorus: “Una tristesa, bien colorante//Me penetra desde el cielo//Como me llena//El tango llorante//Devo cantarlo asi.”   
 
 “Corazon” cools the heat of the previous song and gives off a vibration of peaceful existence with a bouncy nylon guitar as your guide. There is a sense of calm that washes over you as the dynamic percussion - with the combined efforts of Julien Cantelm (drums), Marcus Alcantarilla (Cavaquinho), and Halysson Silva (percussion) – gently caresses your ears. Altogether, it feels like a pleasant vacation you never want to return home from.  

Aparicio’s voice on “Best Version of Me” evokes Sara Bareilles’ tonally bright musical style, but with an easy-going twist of Uruguayan/Italian zest. The brush work provided by Julien Cantelm sustains a rhythmic pace while a tenor saxophone, played by Stefanie Schmitz, dances over a delightfully balanced rhythm section. Aparicio speaks to the simplicity of loving yourself to be the “best version” of you. She adds that through the vehicle of receiving and accepting love from another, one stands to become a consummate version of oneself. 

Aptly named “Tangled Heart,” bongos and shakers (played by Enrique Platas) juxtaposed against a pyramid of flowy guitars (played by Aparicio and Maldonado) temper a self-reflective sentiment ever-present in both the music and lyrics. There is an intentional conversation between the instruments and lyrics; each replying to the other like a dialogue in smoothly-laid-out time. As Aparicio illustrates with candid vulnerability, our internal selves can be a dazzling yet chaotic place to navigate. Aparicio comments on her own internal complexities as she acknowledges that her heart will always be an exquisite work in progress: the journey is the destination and acceptance of one’s humanness is vital for growth in one’s personal evolution.   

The backing vocals on “Bella Vita” enter the scene like a breeze blowing through a seaside town. An audible warmth overtakes you as three distinct languages envelop your ears. Love, as described here, is comparable to the natural relationship between land and water at a coastal meeting point – they are always touching and whirling into each other, ebbing and flowing. That type of relationship is the quintessential depiction of a complimentary part: one lends to the other harmoniously counterbalancing where the other falls short. This song is so unmistakably enjoyable that one could imagine themselves singing the choral “la, la, la’s” whilst driving along the Mediterranean Sea in a convertible car with the top down. 

​“Matter” closes out the album with a final message straight from Aparicio’s heart – to remember to be present and act out of love towards the people around you. Recorded and engineered by San Diego favorite Jeff Berkley, the intimacy and balance of sound is pure. Believing this to be by design, it is the only song on the album solely comprised of vocals and nylon-stringed guitar. The tender conveyance of the backing vocals is similar to a lullaby that softly cradles you. Aparicio’s wish to leave her audience with a sense of hope, self-kindness, and patience towards pursuing their own personal transformation is the culmination of her intention to create. She urges you to find out who you are and where you fit into the world, but in your own time.

La Bella Vita is a more than just a love letter. With rich musicianship and catchy musical earworms abound, these eight tracks will leave you humming along while inspiring you to reflect on your own life’s path. Aparicio’s multi-faceted and vulnerable elegance are a gift she lovingly bequeaths to her listeners. And although it was primarily recorded by Alan Sanderson at Pacific Beat Recording, this album is clearly a collaborative labor of love by all involved. They say “it takes a village” and what a handsome waterfront village Gaby Aparicio has built. Life truly is beautiful, and this album is proof. 

Link to buy album - https://www.gabyaparicio.com/music

Meet the Writer: Tori Roze
Our Lady Brain blog writers work on a volunteer basis in support of their fellow members. If you enjoyed this article, please consider making a small donation to Tori via Venmo, which will help support her creative endeavors.

Thanks to San Diego Reader for featuring our upcoming August community gathering which takes place tomorrow eve at Art on Third in Chula Vista! Read the feature here and RSVP here!

Lady Brain members are out and about in full force this summer - make sure to catch them at one of these upcoming shows/events! 

Friday, August 2 - Jessica Lerner with Full Band at Kensington Club
Jessica Lerner and her band will share the bill with Jehlad and The Rogue Pilots. $5 Cover. More info.

Friday, August 2nd - Julia Sage and The Bad Hombres at The Black Cat Bar
Sonic Attack at Black Cat Bar:  Don’t miss this lineup featuring Tormenta Rey, Lana Rebel and Michael Mayfield, Julia Sage and the Bad Hombres, Gary Hankins, and from Robert's Western World in Nashville TN, special guest DJ Brendan Malone! $5 cover. More info.

Wednesday, August 14 - Tori Roze & The Hot Mess at The Casbah
Tori Roze & The Hot Mess plays the Casbah with The Routine and fellow Lady Brain band The Anodynes. Show starts @ 9pm w/The Anodynes on first, followed by Tori Roze & The Hot Mess second. Come thirsty and ready to get soulful! $8/21+. More info. 

Wednesday, August 14 - Bonfire Jam Circle at The Heritage Ranch in Encinitas
Hosted by Cathryn Beeks of Listen Local Radio. Bring a chair, your beverage of choice and an appetizer to share. Songwriters rotate clockwise and everyone plays on everyone's songs. 7pm to 11pm small donation appreciated. More info.

Friday, August 16 — Lady Brain Presents Showcase at Art on 3rd 
The next installment of the Lady Brain Presents series will be a showcase in a Chula Vista artist-owned gallery.  The event will feature short musical sets from Chris Avetta (with Jules Stewart), Marie Haddad, Dixie Maxwell (with Paige Miller), Carissa Schroeder, and The Spiritual Motels (Amy Day, Omar Musisko), as well as video from Mary Bee, and visual art from Chris Avetta, Julia Sage, and other Lady Brain artists.  All ages, $10 suggested donation. The event will run from 7pm - 10:30pm. More info.

We know, we know, we say it every month, but July's meet-up was SO GOOD! Maybe it was because we were riding the wave of a successful inaugural Lady Brain Fest. Maybe it was the full house, the artsy space, or the nachos. It was definitely the inspiring and collaborative presentations from our host Astra Kelly, Carissa Schroeder, and Sandi King - all Lady Brain members, talented creatives, and compassionate entrepreneurs.

Carissa kicked things off with a chill mindful vocal meditation/warm up. It was exactly what we needed on a Monday night to center and connect with ourselves and each other.

Next, Sandi talked about her new venture, Backseat Booking. No matter the tour route or style of music, Sandi is a wealth of information when it comes to touring. She can help indie artists book entire tours, or give them the tools they need to successfully plan their own routes.