1/14/2021 0 Comments Boss Ladies Single Reviews: Lindsay White - Everything But Loving You, Crickets, Nothing Worse
Welcome to Boss Ladies, the review column written by members for members! Below, read Lizzie Wann's take on the latest three singles from Lindsay White.
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Image description: Single artwork for "Nothing Worse" features a collage with light gray text that reads "Nothing Worse" overlaid on a grayish blue mountain landscape. In the center, a photo of Lindsay White in a green shirt, propping her chin up with her hand. Bunches of colorful flowers are placed over her face and near her shoulder. Artwork by ShyTheArtist, original photo by Sydney Prather.
We haven’t had any new produced music from Lindsay White since she released “The Funeral” in December 2019. Since then, well, you know, there’s been a pandemic, extreme ongoing social injustice, and an insurrection(!). For most of 2020 and continuing indefinitely, everyone is asked to stay home as much as possible, which makes creating and recording music extremely difficult, but not impossible. As we all made adjustments to how we manage our lives, White ran through the gamut of emotions, often daily, from anxiety and depression to gratitude and yes, happiness. She also made things happen (and if you know White, this is not surprising). She reached out for help from fellow musicians and her Patreon supporters to figure out how to record her own music at home. And through the immense benefit of technology, she was able to remotely collaborate with various musicians, producers, and engineers to fill in some of the blanks. Which leads us to December 2020, a full year since her last official single, when she debuted “Everything But Loving You,” the first in a string of three new singles. Of her production efforts, White says, “It's not perfect or polished, but what feels more important to me than being perfect is: making an effort within my capacity, being proud of any small progress in that effort, being compassionate about any setback in that effort, and letting go of any attachment to other people's perceptions of that effort. It's a good way to fight anxiety. It's also a good way to approach art. And life.” Shortly after this single, White also released “Crickets” (also with a video) and earlier this week, “Nothing Worse.”
“Everything But Loving You" (released 12/8/20)
Her first self-produced release (with mixing from Amelia Sarkisian and additional instrumentation from bandmates Jules Stewart, James Staton, and Steve Nichols), “Everything But Loving You" is a melancholy celebration of the depth of love. It also is a triumphant acknowledgement of feeling defeated. If those things sound incongruous, you haven’t been paying attention. In this tumultuous time of being alive, it’s a delicate balance of feeling like your life has purpose and meaning and feeling like you have any control over those ideas. White admits that this song was written “from a pretty scary place” as anxiety gripped her in the face of, personally and professionally, losing her musical livelihood and, as a human, the community issues of health and a society locked in a battle about which citizens actually matter. But what she was ultimately able to focus on and cling to is the deep and healing relationship she has with her wife, Audrie. In the first verse, White admits she doesn’t want to do any chores, but even beyond that, “i don't wanna be ambitious anymore / you're the only good news / walking in and out the door / so i'm thinking that i could use / a new plan moving forward.” Her new plan is to “quit everything but loving you” because she’s “so good at it.” But then White broadens even that. She sings, “cause i don’t have a fucking clue / how to save the world / but i can love my girl.” But what we know, and I expect White also knows, is that loving her girl is, in fact, how to save the world. This song reminds me of the quiet, beautiful tones of Corrine Bailey Ray, and it’s a well-done debut production effort for White.
“Crickets" (released 12/15/20)
Lindsay White is not afraid to write about subjects that many writers tend to avoid. In the case of “Crickets,” White brings the realities of infertility to the fore. She uses the metaphor of a cricket, which has been seen as a symbol of good luck, but also the silence of asking for something and getting no response. White and her wife have been trying to grow their family, and “Crickets” details their heartbreaking journey of not yet being successful. The video that she released at the same time is a dramatization of the cycles they endured: the medication, the hormone shots, the love, the waiting, the pregnancy tests, the rituals, the tearful realization when White reaches for a tampon; another failed effort. The song is mournful and spare with just her voice and electric guitar in the verses, then more instrumentation and harmonies arriving in the choruses, but it’s subtle and adds just the right amount of extra depth. In the first verse she recalls her mother’s death, and the second verse transitions to her and her wife’s personal journey as they repeatedly endure the negative outcomes of each attempt to conceive a baby. White sings, “mother nature's coming at me / speeding down a westbound track / hanging out a boxcar swinging / a slow motion baseball bat.” But what may be the most heart wrenching lines come in the third verse when White admits, “of course i should have seen this coming / i should have never picked your name.” The song (mixed by Amelia Sarkisian, mastered by Trevor Hamer) captures the intense feeling of loss for something that was never there, just the possibility of it and the inevitable thoughts of what could come after. The song, the performance, and the video are emotional without being melodramatic, and this balance is something at which White excels.
“Nothing Worse" (released 1/7/21)
For this tune penned in 2017, Lindsay White recorded vocals at home and called upon band Jules Stewart for drum tracking and longtime producer Alexander Dausch for additional instrumentation, production and post engineering. As White summarizes, the song is “about that dreaded sense of hope we still somehow manage to feel during incredibly hopeless and lonely times.” Well, if that’s not a song for these times, I’m not sure what is. White is at her lyrical best in this song with clever wordplay like “there's a pillow i keep punching /i always take you lying down,” “i'm fighting the finale, like a novice novelist / i'm pacing like Penelope, hope for my homecoming kiss,” and “i'm testing several theories hoping to prove the same thesis.” But what I like most about this song are White’s phrasings of the lines that are unexpected but extremely pleasant on the ear and the unusual structure of the song. There’s no real chorus per se, but the crux of the song is the line repeated at the ends of the 2nd and 4th verses and at the end of what could be considered the bridge (White is not a huge fan of bridges). The line, which also provides the song’s title, is “there's nothing worse than hoping at a lonesome time like this.” The tasty fills by Dausch after the first chorus lines are also especially lovely and imbue the song with the hope that White hopes still exists. (Spoiler alert: it does.)
These three releases from White are each unique in their subject matter and presentation. White has an impressive style that comes through each song with ease, from her expressive voice to her well-crafted lyrics and her burgeoning production ear, plus with help from talented colleagues, we can look forward to more great music from White in the coming months and years. Purchase and download all three songs, plus her full-length album and other music, writing, and merch directly from her website.
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Image description: White background with black vertical text on left side that reads: "boss ladies." At center is the artwork for Lindsay White's single Nothing Worse (see above for description). Layered on top of photograph is a yellow circle with black text that reads: "artist Lindsay White. singles Everything But Loving You, Crickets, Nothing Worse. reviewed by Lizzie Wann."
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Welp, that was certainly not the year we planned for. But despite everything, Lady Brain Collective members stayed creative and stuck together, and Lady Brain Presents did our best to showcase their awesome work to the community. Here's a quick video recap of just some of the work we did and fun we had. Thanks to all of our members and Patreon contributors for supporting us - and if you're not yet aboard the Lady Brain train, find out how to join and/or contribute - 2021 will be even better with you in our fam! Video Description: This video slideshow features various social media graphics, photographs of Lady Brain Members, gig flyers, screenshots of virtual/zoom events, and member artwork - all occurring at Lady Brain Presents, either in physical locations or online over the year 2020. The video covers the following topics:
-Community Gatherings (Lady Brain members at open mics, house concerts, venues) -Virtual Showcases (Lady Brain members participating in online events) -Workshops and Meetups (images of hikes, vision boarding, guest speakers, virtual presentations) -Lady Brain Media (photos of podcast guests, Lady Brain writers, online reviews, gig flyers, social media graphics, blog features) -Lady Brain for Hire (gig sharing and business spotlight social media graphics) -Lady Brain for Change (Lady Brain raised $600+ for RAINN) -How to Join - www.ladybrainpresents.com/join -How to Support - www.ladybrainpresents.com/contribute or www.ladybrainpresents.com/shop -See You Next Year & Photo credits to local photogs/friends who captured this year’s events: Sydney Prather, Alyssa Douglas, Darci Fontenot, Cathryn Beeks, Mary Hamer. 12/17/2020 0 Comments December Member Meetup Recap - Candlelight Vigil and Throat Chakra Meditation with Tori RozeThanks to all who closed out 2020 with us at our final virtual meetup of the year! We held space and shared silence for all the losses we've experienced and witnessed this year, we expressed what we'd like to leave behind and take with us into the new year, and we participated in a guided throat chakra opening meditation facilitated by Lady Brain member Tori Roze of Roze Wellness. We highly recommend reaching out to Tori if you/your team are looking for a way to grieve and heal and grow with intention - she offers virtual Reiki sessions, Reiki-blessed jewelry, guided meditations, and more. Below are a couple snippets from Tori's session that may help you realign with your purpose and voice going into 2021. Transcription: “And you can repeat these here with me if you'd like: I am understood. I am a good listener. I am authentic. I have integrity. I am honest. I speak my truth. I have a voice. I have a story I am worth knowing. I trust myself. I am a creative being. I have no limitations and I love myself warts and all." Transcription: “When you're ready, you can open your eyes and wiggle your, and shake your body and jiggle and readjust and come back into this space. Stretch, get some water, do what you need to do. A really good thing at the end of this is to give yourself a hug. Cause we are all missing hugs, like big time. So if you actually give yourself a hug and hold it there for a minute, it actually has like the same effect feels pretty good. You can do this any time you feel like you need to be held to because you're literally holding your heart right now. Thank you everybody. I appreciate all of you guys really big time. And I want you all to just be out there flourishing being your most badass selves and sharing what it is you have to share because that's what you are here for. So share that stuff." If you're a San Diego-based womxn or non-binary/gender non-conforming creative who is interested in building community, collective education, and resource sharing, we'd love to have you! Please register to join Lady Brain Collective here!
Welcome to Boss Ladies, the review column written by members for members! Today, Jules Stewart will share all her feels about Keys, the latest album release from Cristina Cooper.
Cristina Cooper's newest album, Keys, is an incredibly honest and intimate look into her emotional journey from the past 25 years. This collection of songs, some of which were written over 20 years ago, is an open journal, chronicling moments from tender insecurity and heartache to bold declarations of love and dignity. Keys was released independently on November 28th, 2020.
Though it’s hard to use the term “silver lining” about any part of 2020, the slower pace of life for many artists who are accustomed to busy gigging schedules has allowed unique introspection and time for projects that have been pushed aside. Cooper used the time to revisit songs from her catalogue that she had never shared with the world. This collection of songs, along with five beautiful musical interludes, became Keys. It seems clear that these songs had been kept private not for lack of quality, but because of the vulnerability it takes to share such deeply personal and introspective work. Cooper's choice of stripped down instrumentation and subtle production perfectly compliment the intimate nature of these songs. Perhaps the most elegant example of this is seen in “Come Back to Me” where the vocals are given space to breathe and soar over a steady piano rhythm and gentle synth swells. The vocals are consistently stirring and excellent throughout the album but are showcased perhaps most of all on “The Bar” with its impressive, expressive runs and complementary harmonies.
Cooper played every instrument and part on the album with the exception of the violin on “Long Road”, played masterfully by Evan Price. If that isn’t impressive enough, she also engineered, produced, and mixed the album herself in her own home studio. Her musical mastery is apparent but not ostentatious; every note seems to have purpose and serves the message of her songs ideally from the gentle guitar in “Wake Up” to the anchoring bass in “I Miss You When I Sleep”.
All in all, Keys is a phenomenally beautiful, emotionally vulnerable endeavor. Cooper's full range of artistic and technical talents are on display from songwriting to multi-instrument performance to engineering and production. The emotional candor and heartfelt lyrics of the songs shine brightly from start to finish and provide ample space for catharsis and connection for listeners. While we’re not done savoring Keys, we’re already looking forward to Cooper's next project, an instrumental mood music album. Stay tuned! Listen to Keys: Spotify - Apple Music - Tidal - Amazon Music - YouTube - Pandora - YouTube Music ![]()
Image description: White background with black vertical text on left side that reads: "boss ladies." At center is the artwork for Cristina Cooper's album (see above for description). Layered on top of photograph is a yellow circle with black text that reads: "artist Cristina Cooper. album Keys. reviewed by Jules Stewart."
Thanks to folks who participated in this month's book discussion of Heart Berries by Terese Marie Mailhot. It was an honest read from a wonderful writer - highly recommended! For anyone who missed the book or the discussion, we came up with some journaling prompts inspired by the book as it relates to Lady Brain Collective. No need to read the book to chew on these prompts! Let us know what you come up with! (Questions also listed in plain text below for accessibility). ![]() Image Description: Infographic with pink and purple accents featuring icons of various berries. Pink, purple and black text reads "Lady Brain Presents Creative Journal Prompts Inspired by the Memoir Heart Berries by Terese Marie Mailhot. Eight questions are listed in pink and purple color blocks...see below for text description. 1. What are some narrative devices or styles you commonly use? And for what strategic purpose, if any?
2. How have you been able to articulate traumatic/painful experiences for your own healing or to help others heal? 3. What does complicity and responsibility look like for you as a person or as an artist? 4. What stories live inside you that won’t exist in the world unless you create them? 5. What stories have impacted your capacity for empathy? How can you use art to help others empathize with what they might not identify with or understand? 6. What is "expected" of you, your identity, your culture, etc? In what ways do you want to embrace or resist that as an artist? 7. What did you need in your past that you didn't receive or couldn't quite articulate? How can you ask your community for what you need now? 8. In what ways can you anticipate or listen to the needs of your community and respond to those needs within your capacity? 10/22/2020 0 Comments October Member Meetup Recap: Zopen Mic
Thanks to all members who participated in this month's virtual open mic meetup! Lots of heartfelt and poignant pieces were shared, covering an array of topics like love and acceptance, social change, processing time and anxiety during a pandemic, and more. In lieu of a community gathering this month, we thought we'd share some of the pieces that were performed on this public platform. Read on for a partial replay and discover if any of these artists' words or music resonate with you!
Julia Sage
Original Song: Here Comes the Clock
Bonnie Nicholls
Original Song: Nothin'
Dishes in the sink, evidence of drink In bottles and cans near the door Unanswered texts, unrelenting requests To see if I've got off the floor All I wanna do is nothin', lie around and give in to the fear All I wanna do is nothin' and slowly disappear Curtains drawn, weeds in the lawn Detritus on the porch Bed unmade, bills unpaid The whole place should be torched 'cuz All I wanna do is nothin', lie around and give in to the fear All I wanna do is nothin' and slowly disappear No energy left to explain the entropy inside my brain Inertia is the only thing that moves me now All I wanna do is nothin', lie around in bed all day All I wanna do is nothin' and slowly slip away Slowly slip away, and slowly slip away Susan Lipson
Original Song: Let's Reframe
Complacency is how things go from bad to worse
And it really is a curse When silent shrugs are all we show. Standing by, not standing up Is the reason things don't change For we ALL must rearrange The status quo. The worst of history repeats Unless we stop the trend. It's up to us to end The unjust treatment we allow. We can say it's not our fault, That we've done nothing wrong, But we owe more than a song; We've got to act and stand up now. Chorus: Who are we? Let's reframe As if viewing Earth from space We're just multicolored folks-- The human race. Who are we, staking claims Based on pigment in our skin When the color of our blood Is just the same?! We're part of systems that allow Injustice to exist Now it's time we all resist The -isms hidden in our laws. No human merits privilege More than any other, We ALL come from a mother-- To grow in peace is our shared cause. Only what we add in goodness Can measure human worth For we're all here on this Earth As vital cogs in a machine. So, if some of us are broken Then ALL of us must fix The social structure, adding bricks To build foundations not yet seen. Who are we? Let's reframe As if viewing Earth from space We're just multicolored folks-- The human race. Who are we, staking claims Based on pigment in our skin When the color of our blood Is just the same?! Until we give up stupid notions That anyone's worth more, We ALL know what's in store: More of the same. Unless we teach our kids that they are No better and no worse, We'll maintain the racist curse With no one else to blame. Who are we? Let's reframe As if viewing Earth from space We're just multicolored folks-- The human race. Who are we, staking claims Based on pigment in our skin When the color of our blood Is just the same?! Chorus repeats Astra Kelly
Original Song: Heavy
Heavy, unsteady Waiting for voices to follow Heavy, unsteady Searching for words I can swallow The rain came to shatter, pouring down pain Drowning perceptions we had Waiting, unchanging I won't give in to the madness Chorus: Heavy, heavy I can't carry this weight Steady, steady now Lean into faith, til we break Through Thoughts come in like tremors Sirens signal the storm The rain came to shatter, reflections of me Pieces of the puzzle to place Heavy, yet ready Guide me into grace Chorus: Heavy, heavy I can't carry this weight Steady, steady now Lean into faith, til we break Through Bridge: Dreaming of finding home, safe from the storm Be weightless my soul, when fear lets me go Chorus: Heavy, heavy I will carry this weight Steady, steady now Lean into faith, we will break Through Lindsay White
Original Song: A Little Piece of Quiet
It's like the windows in my spirit and my soul have all been painted over It's like the locks in my heart were changed, and not by me and no one made me a key It's like I'll never know what could grow outside these gates What kinds of fates would await me It's like these poison clouds are shrouds upon my ears It gets harder and harder to hear I just, I just need A little piece of quiet Turn it down Shut it out Gimme more of that sweet silence âIt's like more people just keep dying all the time with bigger numbers come smaller headlines I make a fist, resist, but this twisted mind it binds my wrists I exist in fits Is this all there is If I killed this sound Would I drown or live Repeat Chorus Cathryn Beeks
Original Song: This Time
let's face it
we're not gonna change some people's minds they weren't raised right taught to kill and fight you know the kind and all I can hope for is their children will see the light look with your heart, kid You know what they're doing ain't right this time we are living in makes me wanna give in and die but this rage keeps me living injustice makes me wanna try I don't understand how some folks can turn a blind eye no more will I ignore I aint letting up this time It's now or never I ain't ever seen it this bad so many years of pretending what we had now everything's broken and every one is the glue If you won't join us I will fight harder than you let's face it we're not gonna change some people's minds they weren't raised right taught to kill and fight you know the kind and all I can hope for is that their children are not blind look with your heart, kid we'll make it better this time
Thank you, readers, for stopping by and lifting up our members by bearing witness to their work! Community members and prospective members, please check out our FAQ pages if you are interested in being a part of the Lady Brain fam!
This month was all about exploring vulnerability. Starting with a virtual workshop led by Dr. Lorri Sulpizio, attendees were challenged with finding and posting a visual or creative representation of their current state (see below for some examples).
After the completion of the workshop, we challenged members to continue tapping into their own artistic vulnerability and asked them to share what came up creatively as a result. The idea was not to create a masterpiece, but rather a simple and honest reflection of the moment we are in. Some members utilized the above photos as inspiration, others started from scratch. Below is their beautiful and honest art. Thank you, collective members for sharing yourselves with our greater community.
Cathryn Beeks
Cathryn Beeks is a musician, producer, and mixed media artist (not to mention founder of Listen Local Radio as well as host of the Lady Brain Podcast). She says, “It's amazing how perspective changes everything, how everything changes, including preconceived notions. What was once so distasteful has now become a comfort zone, a place to settle down and live a life full of simple pleasures."
Lizzie Wann
Lizzie Wann is a published poet and spoken word artist. The piece she submitted is called “Life's Work" - it combines inspiration from two of our initial visual prompts: the Danielle Coke quote as well as the Baskoro Lanjar Prasetyo work. She says, “Recognizing where I am personally in the midst of inequality and racial injustice, among other things, has been difficult yet ultimately motivating. Understanding the ebb and flow of energy needed to combat these struggles remains a constant lesson."
Life’s Work
morning fog matches my brain grasping for clarity as my eyes adjust sun struggles to break through revelations about the past explode my here and now disassemble awareness work begins to unlearn I gather blue smoke to synthesize renewed insight every day is a choice to act that is, to take action, not to pretend for colorless accolades it becomes a daily election to cast a vote toward justice to righteously fight for freedom this grim fog hovers but clear skies are beyond in joy, in celebration, in resistance Marie Haddad
Marie Haddad is a musician and mixed media artist. Below is her untitled photograph submission.
Astra Kelly
Astra Kelly is a musician, producer, artist, and spiritual practitioner. Her spoken word piece is called “The Right to Mourn."
The Right to Mourn
I feel robbed of my right to mourn. You’re talking about rights? to bear arms, to harm your brother, your father, your grandmother? My grandmother passed alone the day before my mother’s birthday who is battling cancer during a pandemic....navigating a whole other systemic blunder. How many lives lost on the side while dis-ease rages far and wide and those we love left vulnerable to die? How can you not see as you run naked through the streets with your fuck you flying, screaming I don’t care From there, we’ve fallen I feel robbed of my right to mourn. There have been no moments of honoring lives lost, our test of endurance or our resilience in bearing the cost of this madness. I want a voice that glides on fire as we stand ready to fight. Who shouts “we will rise up strong and give everything to the cause.” One who rallies our hearts to unite as an army of love. I long for one who speaks and the wind blows stronger as the spirits whisper of empowerment and materialize into our frame as we prepare to play the game risking everything for the ones we love and simply cannot lose. I feel robbed of my right to mourn. My chest tight with holding back, fear in my throat, afraid of the breakdown, feeling the weight of this reality and the impending rebirth of the humanity we’ve lost. I want to be close to you. I miss you. I want to grieve with you together as one so we can rebuild when the moment comes and the danger has passed Forgive those who cannot embrace the truth and who dwell upon the murky depths of illusion For now, we wait. Lindsay White
Lindsay White is a writer, musician, and organizer of Lady Brain Presents. She says, “I'm increasingly concerned, anxious, and depressed about what is happening in my own mind and heart, as well as what is happening in this country. We have always been terrible as a country and as a society at acknowledging the harm we do to ourselves and each other; instead we seek out distraction, we stoke division, we fuel fear. We'd rather have a spectacle than have a look in the mirror. I'm taking off social media for the next few months to tend to my wellbeing and try to do good in the world without feeling the pressure or guilt or shame or fear or anger that my online experiences seem to exacerbate. The below is one of the final pieces of prose I shared on my Facebook account. Hopefully if and when I do return, we'll be vaccinated and Trump-free."
The Worst of Us
He told us who he was back in 2016 and since 2016. We can’t seriously be clutching our pearls about the taxes. We can’t seriously be surprised about the bullying and lack of decorum. We can’t seriously be flabbergasted by the misogyny, the manipulative appeal to Christians, and the fanning of fear flames. We can’t seriously be shocked about the latest in a series of white supremacist dog whistles. What is this theatre we are sucked into, where he does what we know he will do, then we point at it hysterically and say “see!?” to all the other people who not only also knew he’d do it, but LOVE (overtly or covertly) that he did it? There’s got to be some other way. I hope voting this vile creature out of the highest office in the land looks like a sunrise, sounds like thunder, feels like trash day, smells like spring, and tastes like freedom. And I hope we remember that we should have all taken the responsibility to flick him off the national stage like a picnic ant back in 2016 when we had the chance to casually do it without hundreds of thousands of casualties. When we had a chance to empower a qualified womxn over an incompetent manchild. So the next time someone comes along who is a threat to all things that are good and safe and kind and just, we don’t make sport of letting them prove to us for four years what we already knew. Please, for the love of democracy and the safety of this country and its people, do not cast your ballot for Trump. He is the worst of us. He is the worst for us. He is the worst.
Thanks to all those members who attended our vulnerability workshop and who shared their creations! And thanks to YOU for attending this virtual exhibit on vulnerability! We will be taking the remainder of the year to focus on private member meetups and workshops, and will keep the community posted on future public community gatherings as soon as we get the green light to organize in-person events! In the meantime, please be sure to visit our Member profiles to see how you can support them during this hard time, and don't forget to check out our LB For Hire page if you'd like to employ a local creative womxn for your next project! Prospective members, find out more about joining the Lady Brain Collective here.
Thanks so much to those who attended our Virtual Cafe workshop on the topic of vulnerability with guest facilitator, Dr. Lorri Sulpizio, Director of the Conscious Leadership Academy and the founder of the Center for Women’s Leadership at the University of San Diego. Lorri guided attendees in a discussion about where we are, what we need, what we are learning, and what we might shift to adapt to this moment and meet ourselves. We started with a check-in and shared answers to Lorri's prompt: What is one of the biggest shifts, creatively or otherwise, you've had to make in the last several months, and what opportunity or insight have you noticed from this time? We also talked about some of the ways anxiety can push us into a disequilibrium or detachment that prohibits us from accessing our vulnerability or makes us feel as though being vulnerable might threaten our safety. We learned some myths surrounding vulnerability, for example:
Lorri challenged us to identify how these myths show up in our lives, where they are coming from in our experiences, and think about what we can do to challenge them and rewrite our narratives moving forward. She also talked about developing strong networks of support to combat those times when our traditional support systems (family, etc.) might not be able to show up for us as we hoped. See clip below: TRANSCRIPTION: It's really hard if people have failed you in the past, people who you hoped and expected to show up for you, and didn't, that's really hard. And again, it's similar. I would say, find those folks that do you know, groups like this, you know, that maybe it's not the same as a spouse, parents, siblings, unfortunately, but you know what? These people are people who are going to show up for you. And that's amazing, you know, finding the folks that will show up for you and be there for you is huge. And it's an amazing gift. And so then maybe once you find that space, it's like, okay, I do have people in my corner, and people do show up for me so I can tell myself a new story that it's not true that nobody shows up for me. People who live like me kind of authentically creatively, they show up for me, those are my people, you know? Those other people like, oh, they're in my life. What can I do about it? I'm related to them. So I'm going to find a way to get through, but I've got these people, right? Who do see me and that's such a powerful feeling. And so it's worth finding it. And then slowly that power can overwhelm the lack over here, if that makes sense. Stay tuned for our September community gathering, where we will channel some of what we've learned and share pieces of art centered around the idea of vulnerability! If you're interested in learning more about joining Lady Brain Collective, start by visiting our FAQ, then head over to our JOIN page to submit a membership application!
Thank you to everyone who attended this week's member workshop Q&A with Mona Tavakoli! Her positive energy, insight, and commitment to being part of a team was a breath of fresh air in today's often-dark, isolating times. Below, enjoy a couple clips from our virtual call where Mona talks about showing up authentically for social justice. TRANSCRIPTION: “I think what became really clear to me was through Rock Camp and why that space is so important to me is that could I, by just being myself, could I by just being Mona, with all of my quirks and all of my beauty and all of my insecurity, exactly as I am, could I come to this space? And just by showing up to the space, can I help somebody else feel free or seen or loved? So that was walking the walk for me. So being on stage as a person of color and feeling like maybe that's gonna be important somehow, but then going and being the boots on the ground for Rock Camp, and not just being Persian Mona, or not being lady Mona, but just being myself and creating a space where other people can come and just be themselves. You don't have to be the best drummer in the world. You don't have to have technical skills. You don't have to be a great teacher, to be honest with you. You just have to come into the space and say, 'Let's do something together. Let me teach you something that I know the best way that I know. And can you then reflect something back in that space? It was so powerful and it felt like, that's social justice, that's equanimity. That's creating an equal playing field for all girls. That's saying, 'I'm going to be who I am. You be who you are. And let's create a space.' And music is the medium in that way. Right? And writing a song or learning an instrument is - this is going to sound weird, but a distraction to learn those deeper values of communication and allyship and compassion and self-love and how to be a better citizen of the planet." TRANSCRIPTION: “So if you want to be a social justice warrior advocate, you have to be yourself, and you have to be true to you, and do the things that feel true to you and be of service that way. Is it through songwriting? Is it through poetry? Is it through volunteering? Is it through creating space or a meal for somebody else? There's so many ways to be creating equality in your own life that is true to you and not true to the vision of somebody else's social justice." If you're a San Diego-based womxn or non-binary/gender non-conforming creative who is interested in building community, collective education, and resource sharing, we'd love to have you! Please register to join Lady Brain Collective here!
Thanks to all who participated in this year's (virtual) Lady Brain Film Festival. The pandemic threw a huge wrench into our event plans, but we are still so excited to support our members and recognize their awesome work. Not to mention, our selection committee was stacked full of incredible womxn filmmakers and artists who were kind enough to share their work and expertise. Click below to experience the festival from the comfort of your home!
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